Mono no aware - Solo Show 2008 | Marcella Kaspar
Marcella Kaspar
Blossom Seduction
oil on linen 183 x 213 cm
Marcella Kaspar
Kiku, 2008
oil on linen 167 x 197cm
Marcella Kaspar
Diva
Oil on linen 122 x 167cm
Marcella Kaspar
Seduction
Oil on linen 152 x 152cm SOLD
Marcella Kaspar
Kyoto Pink
oil on linen 106 x 106 cm SOLD
Marcella Kaspar
Hana
oil on linen 122 x 167cm SOLD
Marcella Kaspar
Kin Iro
oil on linen 122 x 122cm
Marcella Kaspar
Kinkaku
oil on linen 122 x 167cm
Marcella Kaspar
Gion
Oil on linen 106 x 106cm SOLD
Marcella Kaspar
Fujisan
Oil on linen 106 x 106cm
Marcella Kaspar
Geisha with Shamisen
oil on linen 106 x 106 cm
Marcella Kaspar
Fubuki
oil on linen 106 x 106cm
Marcella Kaspar
Sayuri
oil on linen 122 x 167cm
Marcella Kaspar
Floating World
oil on linen 122 x 167cm
Marcella Kaspar
Midori No Hi
oil on linen 122 x 155cm
Marcella Kaspar
Yoteisan
oil on linen 106 x 106cm
Marcella Kaspar
Tori
oil on gesso board 24 x 24cm SOLD
Marcella Kaspar
Tori II
oil on gesso board 24 x 24cm SOLD
Marcella Kaspar
Hakucho, 2008
oil on linen 122 x 167cm
Marcella Kaspar
Yumi San
oil on gesso board 29 x 20cm
Marcella Kaspar
Suki San
oil on gesso board 29 x 20cm
Marcella Kaspar
Hoshi San
oil on gesso board 29 x 20cm
Marcella Kaspar
Haruko
oil on gesso board 29 x 20cm
Marcella Kaspar
Ayame
oil on gesso board 29 x 20cm
Marcella Kaspar
Akina San
oil on gesso board 29 x 20 cm
Marcella Kaspar
Akako San
oil on gesso board 29 x 20cm SOLD
MONO NO AWARE
Mono no Aware continues Marcella Kaspar’s fascination with the ephemeral beauty of flowers. Opening on 18 September, her latest exhibition comprises flower paintings showcasing her characteristic obsession with the perfection and repetition of nature. However, for the first time the artist weaves fresh-faced geisha girls and Japanese landscapes among her usual tapestry of petals.
After numerous visits to Japan, the artist was struck by the Asian culture’s love affair with flowers as a reflection of the impermanent beauty of life. The exhibition title, Mono No Aware, is a phrase used (in Japanese culture) to express the connection between nature and its transient, inevitable passing. The philosophy perfectly mirrored the artist’s own interest in flowers as a metaphor for life itself: beautiful and luminous, yet fleeting.
